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Art is a subjective and experiential sort of affair, an unspoken social contract entered into by the artist and the viewer. Moss Point artist Qin Mobley remains acutely aware of this agreement, and it shows through his work — from his outright references to popular culture
to the more nuanced aspects like his religious use of flat colors.

Qin is no stranger to the artistic game. He’s been creating art and drawing since the second grade. But it wasn’t until third grade when art took over his life.

Brooklyn-based Kurt Perschke, 46, brainstormed deep into the night 15 years ago, dropping design after design of complex shapes over black and white photocopies. Nothing felt quite right. He was working on a public arts commission for the Arts in Transit program in St. Louis where he lived and taught at the time. Though in his youth the Chicago-native envisioned maybe becoming a wildlife biologist or a psychologist — his mom wanted him to be an architect — he got an MFA in ceramics sculpture from Rochester Institute of Technology in 1997. Thereafter, Perschke built a reputation due to his persistence with multiple media, including ceramic, glass, steel, inflatable, video, collage and set design for dance.

Red Ball Project

Finally, on a whim and a bit exasperated, while continuing sketches for the Arts in Transit commission, Perschke drew something much simpler. It was a giant red sphere smushed beneath an overpass in a bland part of the city. The absurdity – the “risk” – of it – made him laugh. It was only then that he had the “ah ha” moment, or rather the “ha ha” moment, and he felt he was onto something.